This is Infamous reviews David B.’s Incidents in the Night. It’s an interesting article, with some unusual, but not implausible comparisons: to Junji Itoi’s Uzumaki or Orson Welles’ The Third Man. Check out the whole review here.
Archive for the 'Comics' Category
Page 2 of 18
Almost everyone who comes across Laura Park’s work is smitten! Camilla at Impossible Books is no exception:
I first came across Laura Park‘s work a couple of years ago, via a series of mightily heartbreaking comics about her cat just after he had passed away. I cried my eyes out. I also became a huge fan, and have been following her flickr and website since.
Read the rest of her micro-profile here.
We just made a brand new edition (3rd! pictured above & below) on Zak Sally’s Riso. It’s a good time to get one if you haven’t already!
Reminder: our subscription deal is still going. Only half of the free-mini deals are still available! Don’t miss out!(0)
By diverging from that traditional display of world-building, Lewis presents us with an organic world that’s still a work in progress. As opposed to the metaphorical glass castles of Tolkien or the beautifully intricate machine that is Larry Marder’s Beanworld, True Swamp feels like an expansive backyard to stomp through and build forts in. Reading through it, I want to turn over rocks and tear down branches, and I want to come back months later to see how the seasons affect it.
There much more, check it out.
Gabrielle (The Voyeurs) Bell’s ongoing diary web comic Lucky is on this year’s Cartoonist Studio Prize for Best Web Comic of the Year: 2013 Shortlist! Congratualtions Gabrielle!
It’s a good time to catch up with her recently updated Siberia comic. This episode: a goat! Check it out and click around the rest of the site. It’s worth it!
YALSA (Young Adult Library Services Association) presents a list every year for graphic novels that meet the criteria of “good quality literature, and an appealing read for teens” – this year, Peter Wartman’s Over The Wall made the list (out of 122 official nominations, no less), and we couldn’t be happier! Congratulations Peter!
Check out YALSA’s entire list here!
Lineweight is something every image has, but most artists don’t consciously think about how the lineweight can affect an image on an emotional, as well as visceral, level. But Shaw does (or he’s accidentally this good), and the images and figures roll into each other. It’s difficult to tell if this is intentional, but it creates a very anxious page. The figures clash and collide into one another, pushing forward, trying to force an exit; it’s an almost semiotic agoraphobia, if that makes any sense.
You can check out the rest of the review here!
Dan Wieken’s art starts in the first-floor hallway of the Tilsner Artists’ Cooperative in St. Paul, with drawings of a deer skull, a woman with mutilated breasts and what Wieken referred to as “a deathripper night attack grim reaper with a sword in a graveyard.”
The plaque underneath his work reads:
“Dan Wieken. Raised in a rural, Minnesota woods shack. With a stick, dirt, and animal hides to mark on, this is the end result of an almost feral mind.”
Have a look at the whole article here!
Kaczynski’s lines are beautiful at this figure scale. They’re very expressive, but also quite realistic. When the armed Feds arrive, I had this rush of desire to see all-out action comic from Kaczynski, like a cop noir book, he may have a hidden knack for that genre(!).