The talented Sam Alden wrote and drew a new story for Frontier #5, the latest issue of Youth in Decline‘s ongoing monograph series. The cover is above. A description resides below.
This issue includes a new 36-page comic, which deals with family legacies, summer vacation, and sinkholes. 2 colors printed on Risograph.
You can pre-order the book here. It will debut at SPX.
Last Friday, Claude Peck of the Minneapolis Star Tribune wrote a short blurb, previewing our October release of Joann Sfar’s Pascin.
Wine, women and paint defined artist Jules Pascin, whose Bohemian passion flamed out when he committed suicide in Paris in 1930, at age 45. Born in Bulgaria to a Spanish father and an Italian Serbian mother, Pascin traveled in the American South before settling in Paris, where his free-love, heavy-drinking lifestyle earned him the title “Prince of Montparnasse.” Pascin’s life, which seems to have included bedding many of his models, comes vividly alive in the graphic novel …
Read the whole blurb here. Pre-order Pascin from our website.
Hopefully you’ve followed Gabrielle Bell’s great series of July diary comics this year. She decided to post her entries throughout the month of August, and this week marks the end. If you haven’t followed along, no problem. You can easily visit her website and quickly take the plunge.
For the moment, we’ll link to Friday’s entry, July 21st.
Also, order Gabrielle’s latest book Truth is Fragmentary. If you like these latest snippets, you may as well know the whole story.
Greg Hunter produced a great interview with Brian Evenson for The Comics Journal. They talk about Ed vs. Yummy Fur, Brian’s latest from Uncivilized, and Brian offers some of his thoughts on comics criticism.
I would like to see comics criticism become more attentive to what’s actually there on the page. I think that right now there’s a lot of comics criticism that ends up being fairly large in terms of how it’s approaching a genre or trying to definite a genre. Douglas Wolk’s book [Reading Comics], for me, the problem with it is that it’s fairly general when it starts to actually talk about the specifics of a work. I feel like it often misremembers the work or gets it wrong.
Read the full interview here, and order Ed vs. Yummy Fur, the first of our Critical Cartoons series!
Sam Alden’s It Never Happened Again is racking up reviews! This time, Rob McMonigal from Panel Patter and Robert Boyd from The Great God Pan is Dead are the critics in questions. Here’s what they’re saying:
There’s a sequence in Anime that is absolutely amazing, though, because it shows that comics can convey a sense of movement, even in static images. Over the course of about 15 panels, Alden focuses not on Janet or the passengers or the plane itself, but what she can see out the window. At one point, all the reader has to look at are a few tiny dots, because they are out over the ocean. You can “see” the plane move as a result, thanks to the framing device, focus, and selection of images presented in this tight window on the action. Though it’s probably the least-detailed part of the book, in some ways it’s the most powerful, and shows just how much thought goes into Alden’s work.
Read the full Panel Patter review here.
James Joyce wrote that the moment of an epiphany in a story was when “the soul of the commonest object … seems to us radiant, and may be manifested through any chance, word or gesture.” Alden finds this in “Hawaii 1997.”
Read Robert’s full thoughts here.
Order Sam’s book because it’s really good.
BuzzFeed asked 23 female cartoonists to draw their bodies, and Gabrielle Bell was one of them. She contributes a short strip about swimming naked in a river, done up in her classic diary comic style. Others included are Vanessa Davis, Hope Larson and Roberta Gregory.
You can check out the full list here. Order Gabrielle’s latest, Truth is Fragmentary, from our website.
Brian Evenson chats with Amina Cain in this interview. Brian mainly discusses his book Fugue State, but he also talks about his enjoyment of works that disorient their readers. Seems like a connection to Yummy Fur, to me.
I enjoy disorientation a lot too, though more as a reader than as a person, unless it’s recreational disorientation (I’m not that keen about getting lost in buildings, for instance, unless they’re very particular kinds of buildings). I think a good many writers see writing as something that helps them sort out and pin down the world, that allows them to organize it. I want my writing to do the opposite: to destabilize systems and orders and make everything seem a little less certain.
Read the full interview here. Order Brian’s Ed vs. Yummy Fur, as well.
Sam Alden’s It Never Happened Again received a great review from writer Dan Kois and The Slate Book Review.
Alden’s natural sense of framing and pace, his willingness to use silent panels to tell stories, and his beautiful (yes, beautiful) pencil images combined to open my eyes to a new idea of what a great comic can be. It helps that he’s also an excellent writer—both stories sketch out lonely, lost characters efficiently, and put them each through very different quests for meaning.
Read the whole review here, and order your copy of It Never Happened Again, already. Alright!?
Comic Book Resources published an interesting interview with Ed Brubaker yesterday, discussing the series wrap on he and Sean Phillips’s Fatale.
Jon Lewis appears in the book for a story set in Seattle in the 90s, and while his character ends up dead, it’s still a cool nod. It reads like a companion piece to Brubaker’s introduction to True Swamp: Choose Your Poison.
A lot of people didn’t think they were going to stop in Seattle in the ’90s, Ed.
Yeah. I was stuck there for a long time in the ’90s. [Laughter] It was a lot of fun, though. A few of my old friends from the indie comics scene really loved that arc because it felt like I was taking what I do now and blending it with something like “Lowlife.” Two of the main characters in the band in that story are based on old cartoonist friends of mine — Jon Lewis and Tom Hart. We used to be roommates in a house together and do zines and stuff. So a lot of that stuff was real things we’d talk about. It feels real to me because they’re some of my oldest friends. It was a lot of fun to put them in my comic and kill them. [Laughs] I warned them ahead of time when they gave me permission to use their likenesses that they would probably die badly.
Read the full interview here. Also, check out Jon’s work. It paints an interesting picture of a certain era. Order True Swamp: Choose Your Poison here.
Eel Mansions creator Derek Van Gieson gave a lengthy interview to The Comics Alternative podcast. He discusses the book, his past work on Mome and his relationship with Uncivilized publisher Tom K. Plus, Derek gives us the apt, one-line description for Eel Mansions: “The Young and the Restless meets the X-Files.” How can you say no to that?
You can listen to the episode here.
Eel Mansions #’s 1-6 are available here. Follow Uncivilized Books on Twitter, and stay informed.