This is a powerful and eye-opening story, that is told with the help of some excellent illustrations and plenty of dark humor. You get an insider’s view of some of the complex political, cultural, ethnic and authoritarian issues within the Islamic Republic – and it is not a pretty picture.
Archive for the 'Reviews' Category
A blog dedicated to Asian American Literature has published a nice review of MariNaomi’s book Dragon’s Breath and Other True Stories. They call the book “a highly recommended read from a new and exciting independent publisher.” Those publishers being 2D Cloud and Uncivilized Books.
Shea Hennum wrote about MariNaomi’s Dragon’s Breath and Other True Stories for This is Infamous.
The stories in DRAGON’S BREATH vary in content, though the range with which the vary isn’t that vast, but their quality—even if it’s merely quality that I’m projecting on to it—is wildly impressive and present throughout.
Greg Hunter wrote about MariNaomi’s Dragon’s Breath and Other True Stories for The Comics Journal.
“What’s New Pussycat?”, an elliptical piece about the suicide of an acquaintance, delivers information sparingly. As a bridge between a scene dramatizing her last interaction with the acquaintance and the scene in which she learns of his death, MariNaomi provides the spread above: a handful of lines at resembling a splash, then the image of her likeness leaving a bar. These pages and others like them offer a complex yet sparse (and easily navigable) read—“What’s New Pussycat?” holds together tonally when read straight through and becomes even more cohesive when recalled or paged back through.
Concluding a very extensive conversation series, Daniel Elkin and Keith Silva wrote about Eel Mansions #6 over at Comics Bulletin.
You say Eel Mansions #6 “brings it all back home.” While, it could be easy to see this as some sort of Outlaw Blues, I’ll inherently choose track 11, Baby Blue. While Van Gieson is drawing crazy patterns on our sheets, he’s no empty handed painter. A matter of fact, he’s going big, and remember what Janet teaches us in her final Milk City, “If something is big, then it’s art, and if it’s small, it’s not art.” After all, it’s good to keep things simple.
This kind of thinking is inevitable when dealing with something like Eel Mansions, issue six in particular. This train of thought cuts through the snowy mountain passes of traditional narrative and ends up making stops along the way questioning the nature of storytelling and fueling up at the depot concerning what makes comics, comics.